Sarah Paulson

A highly personal tale of undergrown men and overgrown boys experiencing the growing pains of love turned unrequited, and the realization that nothing—not freedom, not security, not innocence, not love—lasts forever.

The heroic journalism depicted in The Post could hardly be more timely, it’s true, but Spielberg’s take rarely achieves dramatic traction.

Ross brings a reasonably sure hand and plenty of eye candy to this slick, glitzy fantasy, which is no more or less than an amiable, star-powered trifle.