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Domhnall Gleeson
Calvary (2014)
The resulting mystery-play-goes-mystery-movie allegory may have a heavy hand, but it also has its finger on the pulse of the struggles facing the [Catholic] Church and the emotional needs of its drifting parishioners.
Unbroken (2014)
Ultimately the lesson of
Unbroken
seems to be this: Louis Zamperini suffered horribly for America, so the least you can do is watch this movie about it.
Star Wars: The Force Awakens (2015)
[SPOILER-FREE] Can be dimwittedly obvious and self-plagiarizing, with little of real-world consequence and less that’s new to say [but it's still] a fun-filled adventure at the movies...
Brooklyn (2015)
Even if you don’t like the film—though it’s a fair bet you will—it will prime you for a spirited discussion about the choices of its hero...who strives to sort out her best judgement from her impulses, her hope from her naivete...
The Revenant (2015)
A certain breed of film geeks will snap fingers in approval, but most viewers—having been pummeled into acknowledging the film's muscular 'greatness'—will feel little more than dazed, and ready more for a nap than a conversation.
Peter Rabbit (2018)
This Peter is...the Ferris Bueller of rabbits. As such, many will love him, and many will find his zany wisecracks, blatant selfishness, and borderline amorality repulsive.
American Made (2017)
Seal’s story is a fascinating one worth investigating...As played by Cruise, he’s like Maverick gone to seed.
Star Wars: The Rise of Skywalker (2019)
[SPOILER-FREE REVIEW:] If Abrams has topped himself, it's by making a Star Wars film that's even more of a multiplex-filling Hollywood widget than his first.
The Kitchen (2019)
Because of its hurried pacing, the film doesn’t quite make us feel the potentially Shakespearean sweep of this arc, and the leading performances feel similarly hemmed in by the script’s limitations.
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