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Jordan Peele
Storks (2016)
Samberg’s jittery-nerdy energy comes through, and Stoller applies a level of taste and restraint to the film’s use of source music and amusingly awkward pauses.
Get Out (2017)
What's most interesting about
Get Out
is how it taps into the same idea to fuel both its comedy and horror: the recognition of social truths.
Toy Story 4 (2019)
At a moment when studios and pundits have begun again to question the efficacy of sequels, Pixar’s graceful follow-up justifies the practice, when executed with smarts and heart.
Us (2019)
Peele’s messy stew of allusive ingredients and jokey allusions...can taste overwhelming, but it gives us a helluva lot more to chew on than a Halloween reboot.
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