Alan Napier

The delirious idiosyncracies of the '60s Batman are all on display...a pleasant-enough romp that's just a little too-distracted with its new toys.

The graphic intensity of Orson Welles' black-and-white 1948 film of Macbeth, then, isn't merely for show, but a carefully considered symbolist staging for screen, meant to complement the Bard's immortal poetry.