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Timothée Chalamet
Lady Bird (2017)
Lady Bird
’s unvarnished, unglamorized high-school drama has the quirky humor one expects from Gerwig...Ultimately, it’s a mother-daughter love story, replete with the tribulations of painful individuation.
Hostiles (2017)
A contrived but effective parable of the American West, its painful legacy, and small measures of redemption...But our focus frustratingly remains on the white people and Blocker’s struggle to reach empathy...
Call Me by Your Name (2017)
Guadagnino has coaxed from his cast a film unmatched this year for lifelike rhythms and attention to human behavior.
Beautiful Boy (2018)
Makes a good case for itself as the addiction movie America needs right now...[offers] a primal 'you are not alone' catharsis for sufferers under the powerful grip of addiction or with a front-row seat to it.
Little Women (2019)
Aside from Gerwig's own comic and dramatic sensibilities (which never intrude on Alcott) and a stellar cast, her Little Women adopts a bold narrative approach to retelling Alcott’s two-volume story.
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