Latest DVD Reviews
Mother's Day (2016)
A movie so far up its own posterior that it includes the threatening exchange 'They made a womb float for Mother’s Day?' 'I can’t wait to see what they do for Father’s Day!' Well, I can.
The Boss (2016)
Needlessly starting out on such a false, bombastic note emblematizes the film's mistake of blowing up the character past what made her recognizable, and thereby funny, in the first place.
My Big Fat Greek Wedding 2 (2016)
For Zeus's sake...as warm and fuzzy and comforting (or not) as a Disney Channel show marketed more to parents than to their kids.
only reluctantly comes around to its crime-solving story, that’s understandable: the good stuff resides in the characterizations and the morality play around them, decrying fear of the other.
Kill Your Friends (2015)
As adapted by screenwriter John Niven from his own novel,
Kill Your Friends
has a decidedly been-there, killed-that feel to it.
Hail, Caesar! (2016)
In a way, the amusing, preposterous
, for all its arch postmodernism, becomes what it pastiches, resembling the kind of '50s film we can now watch and admire for a kind of cultural reflection without exactly considering it a success.
Triple 9 (2016)
A dark crime drama the rough-and-tumble Samuel Fuller no doubt would have loved.
The Witch (2015)
for what it is: a refreshingly baroque respite from the jump-scares that typify today's horror.
The Finest Hours (2016)
One can easily understand why this story swiftly became Coast Guard legend...but its dim wall-of-grey visuals and narrative longueurs make much of the two hours a challenge to the attention span for viewers of any age.
Where to Invade Next (2015)
Moore finds a galvanizing climax by rallying around the notion that idealism trumps, if you’ll pardon the word, defeatism.
Son of Saul (2015)
One man’s last grasp at humanity amidst the dehumanizing horrors of Auschwitz...dramatizes those extraordinary circumstances under which even the meanings of life and death become foreign and in desperate need of rediscovery.
The Lady in the Van (2015)
Though at times precious, Bennett’s sly script masks that deeply sentimental core with comic edge and a writer’s willful, mercenary remove.
The Hateful Eight (2015)
[A] general absence of something to say...Recycles the filmmaker’s own work: the leaner if no meaner dog-eat-dog plotting of
...and a roster of no-longer-shocking offenses...
Freaks and Geeks: The Complete Series (1999)
Had a lot going for it: a strong creative vision from authorial forces who would go on to take Hollywood, a talented cast that would essentially do the same, and that premise.
Fear the Walking Dead: The Complete First Season (Special Edition) (2015)
There's nothing to take this show over the top, and in a crowded marketplace of quality TV storytelling, that's a troubing knock, but the show does a good job of wedding weekly genre thrills to creeping plot and character developments.
The Hunger Games: Mockingjay—Part 2 (2015)
If the franchise continues to feel a bit dull—heavy on the drama and light on the excitement, with pageantry long in the rear-view—there’s a respectable purity in the films’ political cynicism and populist fervor.
For two hours, Larson and Tremblay make their struggles our struggles, Ma and Jack’s perceptions challenging our own...the most potent pairing on screen this year.
The Manchurian Candidate (2011)
Set the standard for cinematic paranoid thrillers and stands as the quintessential John Frankenheimer film.
The Good Dinosaur (2015)
Sweet in that canned-with-heavy-syrup way: kids will dig it, but it’s not exactly a delicacy.
Steve Jobs (2015)
In attempting to 'pull back the curtain' on a man, reveals behind its own theatrical curtain nothing much worth paying attention to...
Tailor-made for the great Lily Tomlin...Yeah, the circumstances are contrived, but easy enough to accept as long as they’re forcing interesting dynamics into seriocomic confrontation.
Let There Be Light: John Huston's Wartime Documentaries (1946)
Clearly, the breadth of Huston's Army Signal Corps films show a Blakian passage from innocence to experience, unquestioning jingoism to a recognition of war horrors.
The Undesirable (1914)
The cheap-looking production lacks visual flair and lines up undistinguished performances on the way to a clumsy, half-hearted resolution...And yet, to film historians and Curtiz fanatics,
is a gift horse not to look in the mouth.
Bridge of Spies (2015)
Steven Spielberg goes into Stanley Kramer mode for
Bridge of Spies
, a socially conscious tale of touch-and-go diplomacy at home, at the office, and on the global stage.
Though the [film]...cannot pretend to be free of its own leanings, Vanderbilt allows a reading of Mapes’ tragic errors amidst its melancholy diagnosing of TV-news’ slow, painful death march from the public trust into modern corporate product.
Of Mice and Men (1992)
Classic-literature-adaptation demureness...but it's impeccably cast and mostly quite faithful.
The New Girlfriend (2015)
A strong thematic undercurrent pits bourgeois social conventions against authentic self-definition and ultimate freedom to live without shame or undue social limitations.
When Lee cooks up a stew this heady, one best recognize...the right film at the right time, Lee’s most creatively fertile and socially immediate narrative feature in years.
The Assassin (2015)
A Hou film and, therefore an aesthete's delight...
breathes more than it talks, patiently taking in its landscapes and its silk-curtained interiors.
In Cold Blood (1967)
One of the most creditable true-crime films ever made.
Mr. Holmes (2015)
spins a tale about the falsely drawn lines between stories and our perceptions of real life, between celebrity image and genuine persona, and between upper and lower classes.
Inside Out (2015)
Like a cross between
Mr. Rogers' Neighborhood
dazzles while taking care to send positive messages about the roles of feelings and the value of recognizing and embracing them...
The End of the Tour (2015)
Its prismatic philosophical and cultural observation...offers plenty of angles on the true value of the subjective fictions and supposedly objective non-fictions some create and others consume.
That '70s Show: The Complete Series (1998)
Depicts the teenage slacker ethic of avoiding responsibility whenever possible and clinging to youthful good times while they last. The show did the same, taking eight years (and 200 episodes) to depict [three].
Mulholland Dr. (2001)
Begin by imagining that a single story is being told in multiple ways throughout the film: a story of naive hopes, heartbreak, jealousy...Erotic, fear-ridden, and beautiful, Lynch's primal imagery has the abhorrent and alluring pull of death itself.
My Fair Lady (1964)
The well-nigh-irresistible 1964 film version of
My Fair Lady
...comedically softens Shaw's ending but nevertheless nearly single-handedly transcends the material's sexist leaning through the sheer humanism of Hepburn's deeply felt performance.
Resembles its own remarks about predictable patterns in the circuitry of arcade games: here is a series of crass caricatures, obvious setups and payoffs (not to mention a woman problem...), further suffocated by overweening commercialism...
The film's conspicuously irreverent style suggests that, blithe offenses aside, writer-directors Ron Clements and John Musker...have their heart in the right place: firmly situated in the anarchic comic tradition of Warner Brothers' Looney Tunes.
A lavish, classy affair...But while long on beauty, Branagh's film falls short on whimsy...[and] the film's most affecting emotional moments...stand apart from the story's central conflict.
Moonrise Kingdom (2012)
’s heartfelt search and rescue of a feel-good result provides a perfect, even musical counterpoint to its regimented summer camp.
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