Latest Film Reviews
Everybody Wants Some!! (2016)
I Saw the Light (2015)
It’s all so dully realized that we grow starving for idiosyncratic detail, desperately latching on to Williams’ love of ketchup or his drunkenly being tickled pink by his new garage-door opener.
The Hateful Eight (2015)
[A] general absence of something to say...Recycles the filmmaker’s own work: the leaner if no meaner dog-eat-dog plotting of
...and a roster of no-longer-shocking offenses...
Why is Marguerite so funny to us, and why is her public humiliation allowed to continue for so long? The answers plumb both the best and worst instincts of human nature, and give Giannoli’s film a strong heartbeat.
Freaks and Geeks: The Complete Series (1999)
Had a lot going for it: a strong creative vision from authorial forces who would go on to take Hollywood, a talented cast that would essentially do the same, and that premise.
Batman v Superman: Dawn of Justice (2016)
[SPOILER-FREE REVIEW:] This is not a drill, comic-book geeks.
Fear the Walking Dead: The Complete First Season (Special Edition) (2015)
There's nothing to take this show over the top, and in a crowded marketplace of quality TV storytelling, that's a troubing knock, but the show does a good job of wedding weekly genre thrills to creeping plot and character developments.
The Hunger Games: Mockingjay—Part 2 (2015)
If the franchise continues to feel a bit dull—heavy on the drama and light on the excitement, with pageantry long in the rear-view—there’s a respectable purity in the films’ political cynicism and populist fervor.
Knight of Cups (2015)
For all its thrumming profundity...has just as much sleepwalking self-parody: all of the actors’ pacing and arm-flapping and gazing off into the distance suggests, as much as an art film, the world’s longest prescription drug commercial.
Hello, My Name Is Doris (2015)
Unlikely as it may be, the relationship begins to seem as plausible to us as to the willfully optimistic Doris, which is a testament to the performers transcending the script’s default mode of condescension.
10 Cloverfield Lane (2016)
Essentially the picture is one tease after another, misdirecting as fast as it can and amounting to the 'Emperor’s New Clothes' vacuousness of mid-period M. Night Shyamalan.
Whiskey Tango Foxtrot (2016)
This feminist war dramedy...is a vanity project done right.
For two hours, Larson and Tremblay make their struggles our struggles, Ma and Jack’s perceptions challenging our own...the most potent pairing on screen this year.
Embrace of the Serpent (2015)
Offers different angles on the Amazon, its people, and white interlopers...the subtle shift of focus from the white explorers to the native guide allows both a welcome political correctness and a depth of sadness that, for once, isn’t once removed.
The Manchurian Candidate (2011)
Set the standard for cinematic paranoid thrillers and stands as the quintessential John Frankenheimer film.
The Good Dinosaur (2015)
Sweet in that canned-with-heavy-syrup way: kids will dig it, but it’s not exactly a delicacy.
Boy & the World (2013)
Kaleidoscopic in its opening up of brilliant color and of the troubling interaction between corporate “people” and flesh-and-bone people, between the environment and civilization.
Near-total lack of narrative tension...Competent acting and direction handily stave off artistic disaster, but
has been constructed not so much to inspire as to renew the already faithful.
Zoolander 2 (2016)
A goofy gag machine that will raise smiles for some and make others just plain gag.
Steve Jobs (2015)
In attempting to 'pull back the curtain' on a man, reveals behind its own theatrical curtain nothing much worth paying attention to...
May not be wildly fresh, but it does wriggle against its genre straightjacket, and if it doesn’t quite escape, it puts on a great show in the process.
Tailor-made for the great Lily Tomlin...Yeah, the circumstances are contrived, but easy enough to accept as long as they’re forcing interesting dynamics into seriocomic confrontation.
Let There Be Light: John Huston's Wartime Documentaries (1946)
Clearly, the breadth of Huston's Army Signal Corps films show a Blakian passage from innocence to experience, unquestioning jingoism to a recognition of war horrors.
The Undesirable (1914)
The cheap-looking production lacks visual flair and lines up undistinguished performances on the way to a clumsy, half-hearted resolution...And yet, to film historians and Curtiz fanatics,
is a gift horse not to look in the mouth.
Bridge of Spies (2015)
Steven Spielberg goes into Stanley Kramer mode for
Bridge of Spies
, a socially conscious tale of touch-and-go diplomacy at home, at the office, and on the global stage.
The Oscar® Nominated Short Films—Live Action and Animated (2015)
The 88th Academy Awards® ceremony airs on Sunday, February 28, 2016…now you have another way to get ready.
Though the [film]...cannot pretend to be free of its own leanings, Vanderbilt allows a reading of Mapes’ tragic errors amidst its melancholy diagnosing of TV-news’ slow, painful death march from the public trust into modern corporate product.
45 Years (2015)
Implications, about the long odds for romance, the deeper psychology of mating, and the devastating possibility that love isn’t an absolute but a willful, occasionally mutual, delusion.
Of Mice and Men (1992)
Classic-literature-adaptation demureness...but it's impeccably cast and mostly quite faithful.
The New Girlfriend (2015)
A strong thematic undercurrent pits bourgeois social conventions against authentic self-definition and ultimate freedom to live without shame or undue social limitations.
When Lee cooks up a stew this heady, one best recognize...the right film at the right time, Lee’s most creatively fertile and socially immediate narrative feature in years.
The Assassin (2015)
A Hou film and, therefore an aesthete's delight...
breathes more than it talks, patiently taking in its landscapes and its silk-curtained interiors.
Ride Along 2 (2016)
All the blithe sexism and tin-eared comedy of a Michael Bay movie and none of the budget excess...gives new meaning to 'lazy.'
Yet another midlife-crisis white guy on the big screen...but it’s undeniably an artful rendering of the post-millennial man adrift, in search of any port than the one he’s made for himself.
The Revenant (2015)
A certain breed of film geeks will snap fingers in approval, but most viewers—having been pummeled into acknowledging the film's muscular 'greatness'—will feel little more than dazed, and ready more for a nap than a conversation.
Though everything around this resilient central figure is wan sitcom, 'Joy the Doer' provides a rooting interest potent enough to justify the film.
The Big Short (2015)
Elucidate[s] the fiscal rigamarole leading up to the bursting of the housing and credit bubble circa 2008, while also whipping up a palatable froth of cynicism and absurdity.
Star Wars: The Force Awakens (2015)
[SPOILER-FREE] Can be dimwittedly obvious and self-plagiarizing, with little of real-world consequence and less that’s new to say [but it's still] a fun-filled adventure at the movies...
For a long two hours, Sorrentino flatters old white men, devalues women, and annoys with his lush coffee-table-book photography as he plays his own 'Simple Songs' of frustrated old age and tantalizing youth...
Helgeland revels in the violence and depravity, setting a dubious tone that, in that final act, has as much of a struggle as Reggie in going straight.
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