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Martin Scorsese
Il Mio viaggio in Italia (My Voyage to Italy) (2001)
The Aviator (2004)
Scorsese keeps a good handle on the turbulent material of Hughes's sprawling life... spectacular... fleet... admirably eccentric.
Shark Tale (2004)
Is the fish fresh?...
Shark Tale
believes it can foist off high-speed energy in the place of wit.
No Direction Home: Bob Dylan (2005)
Fans will be positively enthralled at the well-preserved nuggets, and neophytes will understand the fuss over the musician and the man.
The Departed (2006)
Kept in balance,
The Departed
's verbal and visual gifts, gun-toting menace, down-and-dirty existentialism, and bristling suspense should please both sides of the movie aisle.
Shine a Light (2008)
Whatever your taste, you'll have to agree:
Shine a Light
is music and cinema writ large.
Gangs of New York (2002)
The impact is all in the broad strokes of Scorsese's design: the corresponding coming-of-age stories of three confused and violent adolescents: Amsterdam Vallon, New York City, and America.
Raging Bull (1980)
A touchstone for cinematographic greatness and the possibilities of screen acting, as well as an "instant classic" of the boxing-movie genre.
Shutter Island (2010)
Multiplex entertainment this distinctive and provocative doesn’t come along every day: it’s a head trip well worth taking.
New York, New York (1977)
Ultimately a very personal film about how Scorsese views a genre of film and, as such, has a much more coherent vision than its reputation would suggest.
The Wolf of Wall Street (2013)
Rests comfortably alongside Scorsese's masterpieces
Goodfellas
and
Casino
, but carries a sting that even they don't by examining the most acceptable, yet most rapacious, of criminal swindles.
Silence (2016)
Slow going...But
Silence
also represents consummate filmmaking.
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