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Soundtrack Reviews
Robin Williams
Death to Smoochy (2002)
One Hour Photo (2002)
House of D (2005)
Duchovny shows signs of wit and wisdom [but this] feels much more written than lived...for every funny or gut-wrenching moment, three head-scratching ones are sure to follow.
Robots (2005)
I'm hard-pressed not to recommend
Robots
as an energetic family-movie distraction...[but] plotting is...mechanical.
Jumanji (1995)
Like the rest of Johnston's oeuvre, Jumanji puts vivid characters through paces that will quicken any child's pulse.
RV (2006)
Color me surprised when Barry Sonnenfeld's family comedy turned out to be a palatable picture that doesn't rob Robin Williams of his dignity as a comic actor.
The Night Listener (2006)
The slippery natures of truth, fiction, lies, and wishful thinking...get full play in the screen adaptation of
The Night Listener
.
Happy Feet (2006)
License to Wed (2007)
August Rush (2007)
The Adventures of Baron Munchausen (1989)
Like its hero, extraordinary in every way.
Inside the Actors Studio: Robin Williams (2001)
Between flurries of schtick, Williams discusses his formative years, credits his acting teachers by name, and offers philosophical insights into the actor's craft.
World's Greatest Dad (2009)
An amusing, cynical black comedy about our national addiction to tragedy, and our commoditization of grief...
Hamlet (1996)
The play widely regarded as the best piece of dramatic literature ever written...[in] the only unexpurgated big-screen version.
Happy Feet Two (2011)
'It brings out my happy.' For kids facing a potentially rough adulthood, it's probably a message worth hearing, maybe more than once.
Good Morning, Vietnam (2012)
Dead Poets Society (1989)
Lee Daniels' The Butler (2013)
Despite admirable work from Whitaker and Winfrey,
Lee Daniels' The Butler
is nearly crushed by its own symbolic weight and its contrivance of a central character arc from keeping one's head down to learning to stand up.
Aladdin (1992)
The film's conspicuously irreverent style suggests that, blithe offenses aside, writer-directors Ron Clements and John Musker...have their heart in the right place: firmly situated in the anarchic comic tradition of Warner Brothers' Looney Tunes.
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