Ed Harris

It's bad news when a Bruckheimer movie makes one downright nostalgic for The Rock...

[Cronenberg] investigates his own cinematic propensity for violence and skill at purveying it...sex and violence can be random, can be animal, and certainly can be satisfying.

The cinematic equivalent of the guy who runs up to a cop, grabs the cop's hat, throws it to the ground and takes a shit on it. One is left a bit speechless.

The structure and layered storytelling make Gone Baby Gone richly satisfying.

A convincing blend of Shakespearean tragedy and Citizen Kane, Nixon paints the thirty-seventh President of the United States as a uniquely American tragic hero...

Harris has made himself a reputation as a mark of quality...Like Pollack, Appaloosa has the best of both worlds, with Harris both in front of and behind the camera.

Moves us closer to an art-house/blockbuster hybrid paradigm that could be Hollywood’s salvation...a survivalist adventure that captures the primal terror of present death while exploring the will or won't to live.