Kyle MacLachlan

Kyle MacLachlan on Touch of Pink and Career Highlights

The only real problem with the film is that it isn't long enough...wild story, complex and crammed plot, far-reaching cast of characters, terrific voice work, and sophisticated themes...

Like its defector hero, Mao’s Last Dancer is neither here nor there...determinedly dull, even in the flatly filmed ballet sequences.

Works brilliantly as an allegory of American repression and willful illusion of order, Lumberton's forced-smile '50s sensibility unable to keep down the anarchic, raging id that is humanity's primal drive.

Like a cross between Wreck-It Ralph and Mr. Rogers' Neighborhood, Inside Out dazzles while taking care to send positive messages about the roles of feelings and the value of recognizing and embracing them...

A triumphant re-thinking of the Fletch franchise with a flat-out great script, confident direction and a stand-out star performance.