Odette Yustman

The mysteriously titled project might just as well have been called "9/11: The Thrill Ride," so thoroughly does it trade on our emotions of that disaster.

The best that can be said for Goyer's latest is that it's competent. How competent is a matter of debate, as is the degree to which Goyer is self-aware about the film's camp value.

Like staring at whorehouse wallpaper: it's sort of interesting, but you have a strong feeling you might be wasting your time.