Gina Gershon

Butler, though puportedly attractive, gives a chipmunk-chipper performance that can only be described as supremely annoying.

This is your action movie on drugs—any questions?

Friedkin’s pretty shrewd himself, in how he teases out the humor without indulging Letts’ immature glibness, and how he sidesteps Bible Belt baptism to waterboard us in the sewer of selfish human nature.

Largely feels cut from the cloth of the neorealists...[a] compelling dramatization of the strain the American economy puts on the indebted class of gig workers, and the lengths people may find themselves going to in the face of dwindling options.