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Keira Knightley
Bend It Like Beckham (2003)
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
The Jacket (2005)
That Maybury's film avoids easy categorization (and the increasingly cheap twistiness of today's psychological horror thrillers) is one of its finest points.
Pride & Prejudice (2005)
Wright's ability to evoke sympathy for even the marginal characters--partly by exercising ingeniously economical staging to catch them in private moments--distinguishes this
Pride & Prejudice
.
Domino (2005)
Mysterious daddy issues, a color scheme that washes everything in fluorescent urine and lime-green Jello, and....editing so jittery it'll send you into rapid eye movement.
Pirates of the Caribbean: Dead Man's Chest (2006)
As if to mock the film's all-trappings, no-sense agenda, Depp's Sparrow gets off the film's sole sign of verbal wit: 'Look! An undead monkey!'
Pride (2007)
Pirates of the Caribbean: At World's End (2007)
Rum should be mandatory for every man, woman, and child misguidedly attempting to make sense of the frantic
Pirates of the Caribbean: At World's End
.
Atonement (2007)
In the story's nooks and crannies are ideas to savor...the human-condition horrors of unpassable distances of space, time, and reconciliation.
The Duchess (2008)
Willing to settle for all-around competency instead of excavating history for deeper insights, leaving audiences with another undemanding genre placeholder.
The Edge of Love (2009)
Maybury tackles the great Dylan Thomas in
The Edge of Love
, a speculative investigation into a cloudy period of the poet and dramatist's personal life.
Never Let Me Go (2010)
Say this for
Never Let Me Go
, the new film adaptation of Kazuo Ishiguro's celebrated novel: you haven't seen anything like it at the movies this year.
Hanna (2011)
A flashy but disposable exercise in style over substance...
Seeking a Friend for the End of the World (2012)
For the apocalyptic circumstances to be more than cheap window dressing, Scafaria owes us more thought and insight and satiric zest than her film offers up.
Anna Karenina (2012)
Who's for 130 minutes of alienation?...We're able to intellectualize why we should care (those social strictures are crushing hearts!), but we're too distracted to be moved.
Laggies (2014)
While the borderline silly material could easily have sunk like a lead balloon, Shelton and her actors sprinkle enough pixie dust to make
Laggies
fly.
The Imitation Game (2014)
Serviceably dramatizes an important historical story while giving rising star Cumberbatch suitably juicy material.
Collateral Beauty (2016)
Chicken Poop for the Soul...
Official Secrets (2019)
It’s a story worth shining a light on, Gun a hero deserving of a movie-star moment. And yet this docudrama struggles to give feature-length narrative shape to the story in a way that brings it to vibrant dramatic life.
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