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Javier Bardem
Javier Bardem—
The Sea Inside
—11/19/04
I have a need [to] express myself through different characters and at the same time have a chance to see the world with different points of view, may I agree or may I not agree with them. So, what's better than that?
The Dancer Upstairs (2003)
Los Lunes al sol (Mondays in the Sun) (2002)
Before Night Falls (2000)
Mar adentro (The Sea Inside) (2004)
Amenábar's lyricism and Bardem's keen projection of dignified commitment enable
The Sea Inside
movingly to evoke humanity affronted...
Goya's Ghosts (2007)
No Country for Old Men (2007)
The most fascinating element of the film is its formal linking of its multiple, no-nonsense protagonists.
Vicky Cristina Barcelona (2008)
Perhaps the greatest compliment to be paid to
Vicky Cristina Barcelona
is that it serves as a spot-on emblem of Allen's own life philosophy: cling to the transient pleasures, as you're bound to be let down in the end.
Biutiful (2010)
Biutiful
doesn’t seem to have much to say about all this sadness, except that death, like love, makes us want to be better people.
Skyfall (2012)
Playful...the most conspicuously repeated word is 'game,' the most dangerous of which Bond typically is, pursues, or plays.
The Counselor (2013)
Life may be meaningless, but Cameron Diaz doing the (commando) splits on your windshield makes for a momentary distraction. I think we can all agree on that.
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