Antonio Banderas

A pretty much ideal big-screen adaptation of the material, which becomes convincingly cinematic.

The perfect sort of movie to pay attention to in the back of a minivan.

The dance remains the same...Take the Lead has exactly two things going for it (each worth one star): the always entertaining Antonio Banderas and a lot of ballroom dancing.

No one but patrons with fistfuls of dollars can save this cash grab from itself.

What saves Shrek Forever After from utter mediocrity isn’t its high-priced superstar voice talent but veteran animator Dohrn, who steals the show by making Rumplestilskin the best oily runt since Danny DeVito last dispatched a taxi.

Now that the Shrek franchise has come to a close, it's time for the definitive collection on home video.

Allen has here an interesting idea-that placebos may 'work better' than medicine-to noodle over and ultimately reject; it's just a shame he doesn't entertain us more in the process.

Though written and directed by a Pulitzer Prize winner, Original Sin is better known as the picture in which a naked Angelina Jolie (by then a certified Oscar winner) and Antonio Banderas do the horizontal mambo.

By the time Rath and Bain have it out in a ramshackle, condemned motel with floors that keep giving away under them, we realize this final setting is a metaphor for the film itself.

Finds Soderbergh keeping it simple, stupid, by filling the story's hollowness with kick-butt action and elements of style.

In a time of mind-numbing rom coms, Ruby Sparks uses fantasy to get real about modern romance.

What remains most striking about Philadelphia may be the...conspicuous emphasis on intense close-ups. They force an inescapable emotional intimacy in relation to issues the mainstream, at least at the time, would rather have looked away from.

It's a bit like watching old friends drunkenly mud wrestle: it's good to see them, but not like this.

A nominal theme—complete with theme song—of teamwork. But really, Sponge Out of Water is about little more than fast food and ice cream, with the same promise of empty calories.

There’s too much stilted acting here and too little psychological insight to render an interesting, or even credibly true, story of humanity in crisis.

The filmmaker contemplating his own creation as a man and an artist...plays as a poetic remembrance of things past, a reconciliation of self, powerfully capturing the emotional essence of keenly formative experiences and deep loves.