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James Remar
The Girl Next Door (2004)
A seriously guilty pleasure aimed squarely at teen boys and sexual Peter Pans.
Pineapple Express (2008)
Despite its rusty mechanics and hodgepodge of tones,
Pineapple Express
convincingly imitates the mode of
Midnight Run
: on-the-run odd-couple comedy with gunplay and car chases.
Dexter: The First Season (2006)
The Showtime series
Dexter
challenges comfortable assumptions about human nature...a winningly novelistic narrative.
Dexter: The Second Season (2006)
The screws tighten to an almost unbearable tension by season's end, when Dexter must answer the threats posed by Lundy, Doakes, and Lila without hurting anyone he loves—and preferably without losing his life or liberty.
Dexter: The Third Season (2009)
More diabolical than ever.
Miracle on 34th Street (1994)
Red (2010)
Stars four Oscar-winning actors. It’s not every day that you’re able to use 'Helen Mirren' and 'heavy artillery' in the same sentence, but
Red
gives you the opportunity.
X-Men: First Class (2011)
A superb, stylish piece of modern mythology.
48 Hours (1982)
The Long Riders (1980)
Hill's lean, mean approach never had a more appealing texture than it does here...
Dexter: The Fifth Season (2011)
Season Five's twelve episodes unfortunately retrace some of the steps of earlier seasons when the show should be focused on breaking new ground, but
Dexter
remains entertaining in its complications...
Dexter: The Sixth Season (2006)
The show has meandered back over too-familiar ground in its fifth and sixth seasons, stalling for time when it should be daringly advancing its storyline.
All Superheroes Must Die (a.k.a. Vs) (2011)
Written in four days and shot in fifteen, this homegrown indie shows its seams...in cinematic terms, it's pretty weak sauce.
Django Unchained (2012)
There's a case to be made that blood-spattering revenge pictures, no matter how evil the villain, are cultural poison, but if this is what it takes to [get] Don Johnson as a dyed-in-the-wool racist done up as Colonel Sanders, well, so be it.
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