Matthew Fox

The Wachowski Brothers overshoot the mark with Speed Racer, an eccentric misfire that panders to the ADHD set and—in the adult arena—idiots and acid-droppers.

I suppose there's a place for this studio picture's brand of popcorn catharsis. One just wishes the powerful story at its heart felt more genuine and less manipulative.

Asks us to believe the terrorists would, after slaughtering countless people, risk their entire plan—and their very lives—on...well, I won't say. But from my vantage point, it was ridiculous.

Particularly in the strike-shortened fourth season, the writers propelled their plot aggressively...

Lost's redemption songs continue to compel, all the way up to another thrilling cliffhanger finale that doles out mortal terrors and, for some, escape.

Part of what makes Lost unique is its sprawling and diverse ensemble; part of it is the show's fearless embrace of 'genre' (read science-fiction) trappings without sacrificing full-blooded character arcs and a novelistic frame.

A serially bold experiment in audience engagement and the ability to produce feature-quality genre entertainment...on a weekly television budget.

After six attention-grabbing seasons on the network airwaves, Lost has turned out to be more than the sum of its parts.

The mealy half-truth director Peter Webber...and screenwriters Vera Blasi and David Klass settle for just winds up a waste of everyone's time.