Rosario Dawson

I think you can smell what the Rock is cooking: a dish that'll fatten your head but pleasantly plump your gut.

Alexander is unavoidably a problematic epic, but it has integrity and deserves an audience willing to engage in Stone's dialogue.

Retrograde, sexist, and gleefully sadistic... pitiable and fearful in the language we go to the movies to learn. The old cop line 'There's nothing to see here' hardly applies.

[Afield] from its off-Broadway origins, but the intimacy afforded by the camera and...most of the original cast occasionally restore the emotional vitality of the piece.

Makes a surprisingly convincing case for Dante and Randal as characters worthy of a revisit once a decade.

A sincere examination of the moment, on the cusp of adulthood, when children must decide whether to get out of the only life they've known or honor it by staying home.

So colossally ridiculous (and transparently derivative) that willing suspension of disbelief is a fool’s errand.

A fast-paced feature sure to satisfy fans and win a generation of new ones.

With its one-track premise, Unstoppable derails thrills.

Were Top Five more deeply felt and less by-the-numbers, Rock might have avoided the impression of a long-winded, self-massaging fantasy about reclaiming authenticity...

Full to bursting with Easter Eggs for longtime Batman fans...Zany, frantically paced, and busy, busy, busy. For some, that...will be a bit exhausting, especially in brain-fatiguing LEGO-construction-block animation.

The weakest of the three. It fails at taking its own emotional logic that seriously; the drama is embarrassingly schmaltzy and the humor hacky. Feels like a parody of itself.