Groucho
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Tahar Rahim
A Prophet (2010)
Malik’s boxed-in circumstances certainly press ethical questions for the viewer, but in Rahim’s psychologically acute performance, Malik is never less than understandable—more often than not, he’s disturbingly sympathetic.
The Past (2013)
With patient sensitivity, Farhadi expertly elicits sympathy, followed by empathy, for each character, almost in turns, to resist misguiding the audience to easy answers.
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