Richard E. Grant

One of the funniest elements of Withnail & I is that it concerns three varieties of drama queen: the flamboyantly dark-minded Withnail; neurotic, ill-equipped Marwood, and the larger-than-life Monty.

Vienna. The 1920s. Albert Einstein sings...a world of proto-Nazi space-ranger rats led by a nasty, singing Andy Warhol rodent. But I don’t have to tell you the beloved story of The Nutcracker...

In the show's grand tradition of family entertainment, with scary creatures, exciting chases, chaste romance (with a buxom companion), and more than a few choice laughs on the off chance anyone might start taking the show too seriously.

In the penultimate batch of episodes before Doctor Who's jubilee year, executive producer Steven Moffat continues to marvel with his ability to keep the time-and-space-travelling Doctor in ever-so-complicated trouble.

There's a resonant motif in Logan that times have changed for the worst, but this dystopian world revives the humanity in these characters, a development that's all for the best.

McCarthy clearly feels a connection to Israel’s outsider artistry, her utter commitment to become someone else for a few stolen moments, and her pride in a job well done...

[SPOILER-FREE REVIEW:] If Abrams has topped himself, it's by making a Star Wars film that's even more of a multiplex-filling Hollywood widget than his first.