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Bill Camp
Tamara Drewe (2010)
Ever so charming...with some satirical snap to its characterizations.
Lawless (2012)
Tough-minded...In recounting 'the Great Franklin County Moonshine Conspiracy,'
Lawless
does not lack for local color and local legend.
Love & Mercy (2015)
Honorable...deeply moving...takes a considered approach to Wilson, sound in dramatic and editorial construction and insightful in its psychological subtexts.
Loving (2016)
An easy realism and an intimate domestic perspective on events that became consequential to national history...replacing histrionics with a genuine curiosity about what it must have been like to live this story from the inside.
Molly's Game (2017)
Sorkin’s flair for whip-crack dialogue, structural shenanigans, and character chemistry remains a winningly shameless three-ring circus for the screen, and his thoroughly excellent ensemble help to distract from his infamous artifice.
Hostiles (2017)
A contrived but effective parable of the American West, its painful legacy, and small measures of redemption...But our focus frustratingly remains on the white people and Blocker’s struggle to reach empathy...
Wildlife (2018)
First-time director Dano, who co-scripted with partner Zoe Kazan, has a knack for capturing quotidian daily struggles as well as moments of discovery that hearten or, more often, horrify.
Joker (2019)
Joker
isn’t the film to seriously tackle the issue[s]--it's more concerned with flair than genuine inquiry--but Phoenix’s pained, raw-nerve performance is one for the ages.
The Kitchen (2019)
Because of its hurried pacing, the film doesn’t quite make us feel the potentially Shakespearean sweep of this arc, and the leading performances feel similarly hemmed in by the script’s limitations.
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