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The Muppet Christmas Carol
(1992)
Following Jim Henson's sudden death in 1990, at the age of 53, the Jim Henson Company had to regroup. The Jim Henson Creature Workshop would have little trouble in continuing to produce state-of-the-art puppets and animatronics, but without the creative parent of the Muppets, could (or should) new Muppet adventures be produced? If so, who would play Henson's characters, most notably Kermit the Frog?
After swiftly reintroducing Kermit (performed then and since by Muppet vet Steve Whitmire) in the 1990 television special The Muppets Celebrate Jim Henson, the Henson Company embarked on the first major Muppet production since Jim Henson's death: The Muppet Christmas Carol, to be directed by Henson's son Brian. (Another key Muppet performer, Richard Hunt, died of AIDS in 1992, at age 40. Hunt's characters—including Statler, Scooter, and Janice—were likewise adopted by other performers, beginning with The Muppet Christmas Carol.)
The Muppets had been absent from the big screen since 1984's The Muppets Take Manhattan, but the Muppet creative team rallied to create another successful and fulfilling family tale. Screenwriter Jerry Juhl—the Muppets' most consistent scribe since The Muppet Show—penned the surprisingly faithful adaptation of Dickens' enduring novella (sadly, Juhl also passed on, in 2005). Longtime perfomers Frank Oz (Miss Piggy/Fozzie Bear/Sam the Eagle/Animal), Dave Goelz (The Great Gonzo/Dr. Bunsen Honeydew/Betina Crachit/Zoot), Jerry Nelson (Robin/Ghost of Christmas Present/Floyd/Lew Zealand), and Steve Whitmire (Rizzo the Rat/Kermit the Frog/Beaker/Bean Bunny/Belinda Crachit) return to play the Muppets, who in turn play the Dickensian roles.
Michael Caine takes on the key role of Scrooge, one of relatively few humans seen onscreen. Perhaps Caine showed up to return a favor to his Dirty Rotten Scoundrels director Frank Oz, but he clearly relishes the role. Caine's powerful performance is good enough to carry a straight, human retelling of A Christmas Carol. Beside bringing the requisite commitment to act convincingly with felt scene partners, Caine nails Scrooge's character arc from a sad, ferocious, self-centered jerk to blissed-out lover of life.
Paul Williams, who with Kenny Ascher penned the songs for The Muppet Movie, contributes seven new songs. As Charles Dickens, Gonzo narrates the film. Juhl struck gold by pairing Gonzo with Rizzo the Rat in a double-act, with skeptical scaredy-rat Rizzo a delightful counterpoint to daredevil weirdo Gonzo. "Scrooge" introduces Caine's nasty tightwad as he strides through the London streets on the way to work. Scrooge's clerk Bob Cratchit (Kermit) appeals to Scrooge's penny-wisdom to secure a day off for himself and his rambunctious rat colleagues, leading to the good-natured "One More Sleep 'Til Christmas."
Alone in his chambers, Scrooge is haunted by the ghosts of Jacob Marley...and Robert Marley, played by Muppet hecklers Statler and Waldorf (now performed by Nelson and Goelz). In "Marley and Marley," they warn Scrooge to repent and deliver an admonition of ghosts to come. The incandescent Spirit of Christmas Past guides Scrooge through a remembrance of things past: his lonely upbringing and his painful, young-adult loss of love. The Ghost of Christmas Present, a jolly giant, sings "It Feels Like Christmas," then shows Scrooge the squalor and love of the Cratchit family. Bob and his wife (played by Miss Piggy) have a brood of boy frogs and girl pigs...what else? Little, lame Tiny Tim (played by Kermit's nephew Robin) leads his kin in "Bless Us All."
It's up to The Spirit of Christmas Future definitively to put the fear of God into Scrooge, who returns to his chambers "With a Thankful Heart." The film's brief closing number, "The Love We Found," is actually a reprise of a longer number cut from the film, then reinstated on most home-video versions (Meredith Braun, as Scrooge's lost love Belle, sings the cut number with Caine). Ironically, of Williams' nice but almost sickly sweet songs here, "The Love We Found" is the best.
Though working on a less-than-generous budget, Henson works minor miracles of family entertainment. Entrancing production design—including a forced-perspective set and terrific puppets—and a number of magic moments (try to resist Kermit's brief duet with Robin) add up to a family film with serious replay value. The Muppets' good humor remains intact, but Juhl strikes just the right balance of irony and sincerity, allowing The Muppet Christmas Carol to be genuinely heartwarming from its opening dedication to Henson and Hunt to its joy-to-the-world finale.
[For Groucho's interview with Frank Oz, click here, and for his interview with Dave Goelz, click here.]
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Disney's "Kermit's 50th Anniversary Edition" of The Muppet Christmas Carol at last adds a widescreen DVD transfer to the previously available fullscreen transfer. Unfortunately, this ostensible special edition leaves off the 22-minute making-of featurette "Frogs, Pigs, and Humbug: Unwrapping a New Holiday Classic," available on the previous disc.
Brian Henson's director's commentary and the motion menus with original Kermit material remain from the previous release, as do two brief features hosted by Gonzo and Rizzo: "On the Set" Gag Reel (2:33) and "Christmas Around the World" (2:57), a swift but informative holiday tour. Henson's commentary does a fine job of explaining the often complicated techniques used for camera shots and Muppet mobility; Henson also explains the experience of filming the first project after his father's death, the decision to cut—then reinstate for home video—"When Love Is Gone," and why "most Muppets are actually left-handed."
Regarding "When Love is Gone," the song is available here, but only in the fullscreen "Extended Cut" presentation—the widescreen transfer uses a theatrical print. Disney should have at least provided easy access to the three-minute deleted scene for widescreen purists, but you'll find it in Chapter Five (time index 44:45) of the fullscreen version.
Finally, Disney adds a new featurette: "Pepe Profiles Presents—Gonzo: A Portrait of the Artist as a Young Weirdo" (5:29), which is worth watching for its handful of good bad jokes. Previews include Lady and the Tramp (2 Disc Special Edition), Disney's MovieSurfers hyping upcoming theatrical releases The Wild and Shaggy Dog, The Muppet Show: Season One Special Edition, and an ad for RadioDisney.
The new, filmlike widescreen transfer is essential for Muppet fans, but the lost bonus feature makes this new disc a bit disappointing. Perhaps one day the film will get a proper special edition that removes the fullscreen transfer to make way for a full battery of special features.
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