Latest Theatrical Reviews
Stand by Me (1986)
Exquisitely captures the vulnerability not only of youth, but of the male identity.
Short Term 12 (2013)
In a film full of humane performances, Larson stands out, personifying the necessary vulnerability and strength Cretton captures of the workplace.
Afternoon Delight (2013)
Feels rather 'been there, done that' for a movie that keeps (idly, as it turns out) threatening to turn transgressive. Still, by putting utility player Hahn front and center, Soloway earns instant good will.
As violent, macho fantasies go, this one is surprisingly engaging, a throwback to '80s sci-fi actioners like
in its striking visual approach...its juicy pulp dialogue...and its unabashed hard-'R' gusto.
The Grandmaster (2013)
More than anything, perhaps,
is a feminist tragedy that, at least in this cut, seems to lose interest in Ip Man and pass the torch to the considerably more fascinating Gong Er...
does inspire escapism, as its title implies, but not in the way the filmmakers had in mind: rather, you’ll be looking for the exits.
Closed Circuit (2013)
Despite breathless proclamations about 'the biggest, most high profile murder case in British history' and timely trappings of closely held government secrets threatening to come to light, it all turns out to be rather boilerplate.
The World's End (2013)
You can go home again. But it's going to involve a lot of drinking.
As a tart analogy for our escapism into literature and romantic comedies,
is, itself, enaging, if not particularly sharp.
The Spectacular Now (2013)
A mature film about immature people, tenderly performed by its young leads and skillfully adapted, by
(500) Days of Summer
screenwriters Scott Neustadter and Michael H. Weber, from Tim Tharp's YA novel.
Kick-Ass 2 (2013)
Give this to
: it's never boring...Even so,
has lost most of its transgressive charge along with its element of surprise and its heroes' disturbingly unwavering conviction.
Faced with almost three decades of complicated history,
does a fair job of telling the story of Apple and conveying something of what made its co-founder unique.
Lee Daniels' The Butler (2013)
Despite admirable work from Whitaker and Winfrey,
Lee Daniels' The Butler
is nearly crushed by its own symbolic weight and its contrivance of a central character arc from keeping one's head down to learning to stand up.
There's a tough-mindedness there that's admirable, even if it's preaching to a mall-multiplex choir. But one wishes Blomkamp were less concerned with his
-style run-and-gunning and more interested in the subtler repercussions...
We're the Millers (2013)
Mean-spirited to squishy does not a convincing trajectory make...That wouldn't be so much of an issue if
We're the Millers
weren't such a dismally unfunny endurance test, but there you are.
Percy Jackson: Sea of Monsters (2013)
Yes, Percy faces his Charybdis, but...
Percy Jackson: Sea of Monsters
not surprisingly feels more dutiful than creatively energized.
2 Guns (2013)
While we've seen plenty of R-rated action buddy comedies before, the stream of amusing banter here comes with plotting that has a few good tricks in reserve.
Blue Jasmine (2013)
Blanchett's edgy comic brio, in Jasmine's blithely imperious manner, magically complements her tragic mental fragility and self-defeating desperation.
The Wolverine (2013)
Handsome but flatfooted,
comes tantalizingly close to working, which makes it all the more disappointing that Mangold comes up short.
Fruitvale Station (2013)
Coogler isn't after much more than what naturally comes with his approach: a memorial in dramatic prose, an occasion for cathartic outrage and empathetic grief.
Still Mine (2013)
Handled with care and patience by McGowan, proves mightily compelling, and deftly sidesteps sentimentality and cliche.
Girl Most Likely (2013)
The kind of movie you root for to get its act together..Take the great Kristen Wiig out...and it would be unbearable.
Kids...will probably ho-hum their way through
happily enough and forget it moments later. But they deserve better, too, than this lackluster, generic kiddie flick.
Despicable Me 2 (2013)
Culminates in a double-music video finish designed to see audiences out in a pop-narcotic laughing-gas daze. As a tactic, it’s a poor substitute for a satisfying story.
I'm So Excited (2013)
A perverted comedy of manners, with the characters spilling drinks, secrets, and sperm...but coming more from a place of 'I'm going to make my dolls kiss. Won't that be naughty?' than one of productive social satire.
The Heat (2013)
The meeting of McCarthy's stinging zingers and Bullock's practiced exasperation almost justifies
, but it's more of a lob than a fastball.
Unfinished Song (2013)
If you're an inveterate softie looking to hydrate your eyes, yes...can't bear the thought of missing good work by Redgrave and Stamp, maybe...low tolerance for having your intelligence insulted (or dreadful renditions of "Love Shack"), it's a definite no.
The Bling Ring (2013)
True crime with a dash of social satire...Coppola remains mesmerizingly stylish, but...
The Bling Ring
winds up being skin deep: superficial characters portrayed superficially in a shallow-pool reflection of shallowness.
Fill the Void (2013)
The film is undeniably a celebration of community, but on Shira, one gets the disturbing whiff of Stockholm Syndrome.
Man of Steel (2013)
On balance, this new cinematic take on a 75-year-old icon constitutes a worthy Superman movie and a modest improvement for a franchise that had creatively stalled.
This Is the End (2013)
This type of thing has already been diluted by...Funny or Die...The main difference...is that
This is The End
is profane in the extreme, an R-rated stoner comedy gleefully grafted onto a 'splatstick' horror picture...
The Internship (2013)
Although Vaughn's riffing skills remain in fine form, as do Wilson's, the story makes every obvious and conventional choice.
Now You See Me (2013)
So preposterous in its particulars, so ludicrous in its lowdown, that you're liable to kick yourself silly for having bothered to play along.
Nothing new, but given its solidly built kids' adventure, I'm not going to, y'know, look down on it.
The Hangover Part III (2013)
Less like a movie and more like a contractual obligation.
Star Trek Into Darkness (2013)
Smart or...dumb? Yes, and...fun to hang around with for a couple of hours.
The Great Gatsby (2013)
Luhrmann approaches the story and directs his actors in ways that hold them at a distance from us: the overkill plays less as bold art and more as lack of trust in the source material.
In the House (2013)
Inviting photography and a relentless pace complement Claude's unfolding narrative, but the big thrills are in the deftly drawn characters...and the incisive satire...
At Any Price (2012)
Works best when it sticks close to Henry, whose broad grin fails to mask a growing desperation. Quaid not only makes a believably corn-fed patriarch, but he captures the mien of one who is slowly ceding his soul...
Perhaps it's damning
with faint praise to call it agreeable, but Gilles Bourdos' film...shows an admirable restraint, quiet simplicity, and lush pictorial beauty.
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