John Krasinski

[Krasinski:] I needed to make sure that we weren't making a 'movie family,' that you could project your own family into them. It had to feel like your family, it had to feel like your hometown...it had to feel like you were living through this with them.

NBC's The Office has become a TV comedy classic in its own right and holds the crown of the funniest series on American TV today.

The coup de grace comes in the form of Ginormica, a clever metaphor of figurative and literal female empowerment...Plus there’s lots of explosions.

Its dull colors and folk-rock soundtrack...attempt to achieve the oft-chased feel of '70s cinema--in this case, Hal Ashby or Mike Nichols. It's a game try, but the transparently schematic result too often gets under the skin in the wrong way.

The Office has the funniest ensemble of any sitcom on the air...

Here we go again: big lies swell and then pop in a flick that’s one-hundred percent adherent to the shiny, colorful Warner Brothers rom-com style guide.

Perhaps the title sets an expectation Ken Kwapis’ movie can’t quite deliver.

As much as it deeply understands the artistic mindset of a driven creator, it also acknowledges the darker implications of a genius' tunnel vision.

There’s plenty...that doesn’t hold up to scrutiny and even more that feels conspicuously derivative. But tell that to your pants as you pee them.