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William Shakespeare's The Merchant of Venice (2004)
Radford takes a stylish but decidedly low-key tack, demanding naturalist acting to crawl under the viewer's skin.
Palindromes (2005)
Crash (2005)
While it's a dazzling feat of screenwriting, less would be more...Still, Haggis evinces remarkable skill [and] with actors like these, who needs subtleties?
Kingdom of Heaven (2005)
A confused and confusing compromise at best and a dull obfuscation of history at worst.
The 48th San Francisco International Film Festival (April 21-May 5, 2005)
Sir Michael Caine & Katie Holmes—
Batman Begins
—05/03/05
Sir Michael Caine and Katie Holmes on
Batman Begins
and Career Highlights
Morgan Freeman & Gary Oldman—
Batman Begins
—05/03/05
Morgan Freeman and Gary Oldman on
Batman Begins
and Career Highlights
David S. Goyer & Charles Roven—
Batman Begins
—05/03/05
David S. Goyer and Charles Roven on
Batman Begins
Simon Abkarian—
YES
—04/29/05
Simon Abkarian on
Yes
and Career Highlights
Sally Potter—
YES
—04/29/05
Sally Potter on
Yes
Joan Allen—
YES
—04/29/05
Joan Allen on
Yes
and Career Highlights
It's All Gone Pete Tong (2005)
It's the risks that pay off most handsomely in
It's All Gone Pete Tong
, a curious mash-up of dance-culture mockumentary and searing biopic.
Matthew Vaughn—
Layer Cake
—04/26/05
Matthew Vaughn on
Layer Cake
, Bond, Harry Potter, and
X3
Daniel Craig—
Layer Cake
—04/26/05
Daniel Craig on
Layer Cake
and Career Highlights
King's Ransom (2005)
Populated solely with hateful characters...strictly for connoisseurs of crass.
A Lot Like Love (2005)
Earns points for resisting the usual corny romantic comedy gimmicks (I'm looking at you,
The Wedding Date
!) for most of its running time.
Kim Ki-duk—
3-Iron
—04/21/05
Kim Ki-duk on
3-Iron
and Career Highlights
Saving Face (2005)
The affectionate ribbing of the cultural milieu and Joan Chen's sly performance raise this a cut above the...[formulaic] lesbian romances and "my crazy family" comedies.
House of D (2005)
Duchovny shows signs of wit and wisdom [but this] feels much more written than lived...for every funny or gut-wrenching moment, three head-scratching ones are sure to follow.
Voices in Wartime (2005)
Making poetry cinematic requires greater imagination than King evinces...If the medium isn't always as sturdy as the message, that's a fault that can be readily overlooked.
Comme une image (Look at Me) (2005)
Look at Me
...states the film's theme: the difficulty of getting...attention and the horrible realization that, when it comes, it usually comes for the wrong reasons.
Schizo (2005)
Guka Omarova's assured first feature
Schizo
is a noir forced out into the sunlight.
Eros (2005)
I'd say that this mixed bag is better toted home from a video store, but Wong Kar-Wai's just not as swoony on a picture tube...cineastes, proceed with caution.
Fever Pitch (2005)
Fever Pitch
may be something short of miraculous, but perhaps it isn't how you play the game that matters after all, as long as you have a "winning" personality.
David Duchovny—
House of D
,
Twin Peaks
—03/30/05
David Duchovny on
House of D
Steamboy (2005)
Masculine brooding [fuels]
Steamboy
, with its monolithic, steam-spewing tower, powered by balls, constantly rumbling out of control.
Oldboy (2005)
The director's Fincher-esque style may finally beat out intellectual substance, but it's a fair fight, grounded in the existential horror of essential emotional truths.
Beauty Shop (2005)
You may not "get krunked" with
Beauty Shop
, but you know what you're getting into. It's sitcom-ready material that delivers on its promise.
Mondovino (2005)
Here among the grapes is the flow of history, draining aging old-world tradition to its dregs as speed-oriented mass production tops it off.
Guess Who (2005)
A warm movie that's well cast and funny enough as it works through passive-aggressiveness to aggressive-aggressiveness and finally the acceptance of family.
Miss Congeniality 2: Armed and Fabulous (2005)
Bullock's quippy snippiness isn't enough...If
Miss Congeniality
is a consolation prize, let's hope
Miss Congenialty 2
is a parting 'gift.'
Melinda and Melinda (2005)
For all its failings...[has] enough thoughtfulness, creative energy, and comedic idiosyncracy to outpace any
five
modern comedies, much less two.
Der Untergang (Downfall) (2005)
A somber accounting crafted with impressive verisimilitude and anchored by Bruno Ganz's rock-solid performance as the Führer...perhaps the definitive film on its subject.
Im toten Winkel - Hitlers Sekretärin (Blind Spot) (2003)
Ice Princess (2005)
Personally, I hope the press notes for
Ice Princess
will be the only ones this year to include the phrase "hunky zamboni driver," but you just never know.
Off the Map (2005)
The Land of Enchantment lives up to its name in this unusual and surprisingly affecting comedy-drama.
Walk on Water (2005)
Interest never wanes as this story unfolds, though [screenwriter] Uchovsky starts a lot more than he can finish satisfactorily in 104 minutes.
Joan Chen—
Saving Face
,
Twin Peaks
—03/11/05
Joan Chen on
Saving Face
and Career Highlights
Hostage (2005)
Holding back tears, Willis actually delivers the soon to be immortal line "Yeah, Tommy, Captain Wubba's gonna save Planet Xenon." Now, that sounds like a movie.
Robots (2005)
I'm hard-pressed not to recommend
Robots
as an energetic family-movie distraction...[but] plotting is...mechanical.
Ice Age (2002)
23rd SFIAAFF (Mar. 10-20, 2005)
John Duncan—
Batman and Robin
—03/06/05
John Duncan on
Batman and Robin
and Career Highlights
Jon Polito—
Charlie the Ox
,
Death of a Salesman
—03/05/05
I'm everywhere. I'm like poo.
Dear Frankie (2005)
Dear Frankie
isn't a good film, but it is a nice little movie...[about] what can happen when people become the conscious artists of their own lives.
Marv Wolfman—
Teen Titans
—03/04/05
I was more interested in, with Batman, a little bit more mystery-type stories than him being a vigilante-type character.
Gunner Palace (2005)
A valuable if understandably haphazard record of the American occupation of Iraq.
Cinequest 15 (Mar. 2-13, 2005)
Cursed (2005)
Like
Scream
remade with butter knives...takes a lazily superficial tack on the old werewolf yarn.
Dare mo shiranai (Nobody Knows) (2005)
Emotional truth and delicate visual cues distinguish a story so patiently naturalistic that the viewer will feel a part of this dysfunctional family.
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