Posh fantasy...the film's dazzling imagery and serviceable story hustle along agreeably, if a bit dourly.

In the story's nooks and crannies are ideas to savor...the human-condition horrors of unpassable distances of space, time, and reconciliation.

A well-researched model of the true-crime genre...[and] close cinematic relative of Larry Clark's Bully.

Moshe and co-screenwriter Guy Jacobson use their white protagonist not cynically to exploit white guilt, but to excavate it and examine its possibilities and failings with an anthropological eye.

Two gripping hours so richly realized you won't want them to end.

About ethics and personal character as much as it is about the weird world of die-hard arcade gaming.

Atkinson's over-the-top clowning is catnip for the wee ones, but adults will find it an acquired taste.

Kidman's psychiatrist is the biggest dolt--err, bolt--in a machine that turns out nothing but phoniness.

Comes tantalizingly close to the genius of Hal Ashby's unforced, sympathetic humanism...

A riotous story of friendship, debauchery, and pizza bagels.

Allen's old-fashioned films are now like a ratty pair of slippers that are too comfortable even to consider throwing away.

Meadows' recollections of his own youth...lend a terrible immediacy to an unusually potent coming-of-age story.

It's been quite some time since a fantasy adventure this cheekily entertaining has made its way down the pipeline.

One of the most enjoyable films of the year to date, Scott Frank's The Lookout has all the good points and none of the bad of a screenwriter-turned-director labor of love.

A good movie, but also one that betrays the strain of great expectations, a four-episode length, and a 400-episode back catalog.

A great big cheeseburger of a movie...For those who have been waiting for Philip Glass to score a pillow fight, your wait is over.

Cashback's eccentricity holds, but Ellis and his audience would have benefited from a clearer direction and a bit more restraint.

There is nothing new under the sun, but at least the talented Boyle still brings the heat.

Boyle's energetic pace and typically creative visuals suit the film's fanciful brushes with magic realism.